Welcome to The Book Canopy: Read, Enjoy, Discuss.
Do you love to kick off your shoes, lean against a tree, and crack open a good book? Well then — Kick off those shoes, find some shade, and join authors and readers under The Book Canopy for a monthly virtual discussion about literature and life. Check below to discover our current selection, upcoming meeting details, and how to buy this month’s book.
Register Here.
Be part of April 11’s discussion of Where Blue is Blue.
Join us.
Be part of April 11’s discussion of Where Blue is Blue.
A taste of what’s to come….
Jane, you’ve published a remarkable book of poetry, your first book, at age 70. What’s that about? I think it’s about life. I wrote poetry in my teen years and wrote prose since then but didn’t start writing poetry seriously until the age of 50. At that point, I began writing every day, reading widely from the Psalms to Rumi to Wordsworth to Whitman to Sharon Olds. I took in-person and online classes, joined writing groups and week-long workshops, studied poetic forms, apprenticed with experienced writers -- all to master the craft while digging deeper into mind and soul to grapple with death, illness, love, disability, and the many challenges and joys we face in our crazy, blessed world. So, twenty years to write a first book. Is that too long? Or is it just what it needed to be while living parallel lives of love, community, and service?
Jane, you’re a very social person with many responsibilities. First, there’s your immediate family: four sons and their spouses and six grandchildren. Then, extended family, close friends, full-time work, communal commitments to your synagogue and groups you’re passionate about like the Sisterhood of Salaam Shalom. Writing poetry requires a lot of alone time. How did you keep writing with so many demands on your time and energy? Yes, my life is packed with responsibilities. But with all that, I’m really an introvert and need daily solitude to maintain my equilibrium. Writing for me has always been a refuge, a place to plunge into what I believe and feel and think. I need to sit in quiet and struggle to make sense of the blessings and challenges of this life.
How does your work as a speech pathologist inform your writing? I work in a public school in Brooklyn with young children with severe speech and language delays due to autism, cerebral palsy, and cognitive and medical challenges. I teach them to shape thoughts into words, sounds into syllables, words into phrases, sentences into stories. Some children use pictures or manual signs to voice their thoughts and feelings, say what they need and want, and interact with people in their lives. These children fill me with wonder and delight and inspire me to tell aspects of their stories. In Where Blue Is Blue, you’ll find a poem about a child learning to hear again, a child with a head injury, another who learns to trust people in his world, and a story about a child stepping off the bus Monday morning to come into school, to the place he said is “where blue is blue.”
Releasing a book in 2020 comes with special challenges. How did you manage such a successful release? Where Blue Is Blue was accepted for publication in October of 2019. I’d sent the manuscript to many contests and publishers for months and collected a long list of “declines.” Then one day I had an acceptance and the next day, a second acceptance. I’m so glad I moved forward with my publisher, Main Street Rag, which kept the publishing process moving – pandemic or no pandemic. In March 2020, they requested photos and a bio. By April, they needed blurbs. By May and June, final edits and building a website. During the darkness of the pandemic, what a joyful distraction to be bringing the book into the world step by step by step! By the summer, I was sending out emails, Facebook postings, and texts to market Advance Copies. Of course, since the book was finally published in October 2020, it’s not been possible to do bookstore, university, and other live readings, but we’ve had a number of Zoom readings and more are planned for the Spring.
Do people need to read your book before the April 11 event? It’s not necessary to read the book before the event. You’ll get to hear a number of poems read, hear the background of some, and stories about what triggered the writing. After the reading, you might want to get a copy to have on your bedside table to read on your own. Here are three poems to whet your appetite.
NEW SOUNDS
Robbie rolled his bulldozer back
and forth across the carpet.
Making no sounds.
He didn’t turn when the doorbell rang,
the parakeet sang, or when his Dad
and I called his name.
By two months old, he wore hearing aids
on grape-sized ears. We didn’t mind.
He was with us, laughing
and aping our silly faces, growls,
and woofs. Then the right ear went.
He knew. We knew.
He got bigger, more powerful aids.
And he was back. Squealing.
Babbling.
One Monday, the left ear, “the good ear,”
went bad. He yanked out the hearing aid
and yelled Ear, Ear.
With little hearing left to lose, we took
a chance on cochlear implants
and prayed and prayed.
* * * *
Now - when an airplane flies
overhead, Robbie looks up,
sometimes confused,
mapping new sounds
to the silver flash his eyes
already know.
When we walk to Prospect Park,
he doesn’t know where
to turn first,
starlings splashing in puddles,
bells on the ice cream truck, cries
of a boy who flipped off the monkey bars.
As night falls, we skip home,
slowing to count evening stars
and mimic the gravelly hoots
of owls roosting high
in the Norway spruce
that ring the park.
UNDERCOVER
Tongue clicks. Wolf whistles. Hoots.
A Chevy pickup slows. Out the window,
a guy yells, “Hey babe! Lookin’ good!”
Jogs at dawn felt like target shoots.
Today a Buick approaches.
Heart speeds as the car slows and passes.
I forgot the cloak of invisibility
drapes my shoulders now I’m sixty.
Age spots freckle my hands and arms.
Children I teach love to run
their fingers along veins on the backs
of my hands. Topography of long life.
In the bathroom mirror, lines
criss-cross below my eyes and tiny cracks
parade above my lips. This face
no longer matches who I am.
Every cell is different but how far
do I stray from the “who”
I was at ten? twenty? forty?
At dusk, I’m jogging again.
A Mustang turns the corner.
Slows. Passes by.
Wrapped in my new cloak,
I’ve eased into this latest splendid someone.
A winging monarch butterfly
in a meadow of milkweed.
Beauty unnoted.
THIRSTY ROOTS
We buried my father on a rise
under a jack pine where steam rose
from the fresh-dug grave, colliding
with January air.
My sons unloaded the casket
from the back of a pickup and walked it
to the open grave, a Star of David
carved on the coffin lid.
For years my father railed against
synagogues, Zionism, all kinds
of God talk - evangelical
in his atheism.
But in the end, when I asked
one last time if I could bury him
when he died, he shrugged and said
if it means so much to you.
It did. It does. As his last gift,
he let me bury him a Jew.
Now the Star of David rests
above his chest as thirsty roots
of the jack pine mingle
with heartache and nettle.
Register Here.
Join us for April 11’s discussion of Where Blue is Blue.